Brian Dettmer | In·Formation | December 14, 2025 - January 24, 2026
American English, 2023, Hardcover book, acrylic varnish, 10 x 12.5 x 3 inches
Opening Reception: Sunday, December 14, 2025, 3:00 - 6:00 PM
Please join us afterwards for a private cocktail hour at the Quincy Street Distillery
Exhibition Dates: December 14, 2025 - January 24, 2026
Exhibition on view: Thursdays, Fridays, and Saturdays 1:00 – 5:00 PM, closed holidays
Artist Talk: Saturday, January 10, 2026, 2:00 PM
The Riverside Arts Center’s Freeark Gallery is pleased to present In·Formation, an exhibition of Brian Dettmer sculpture curated by Jeremy Black. Please join us for an opening reception on Sunday, December 14, 2025 from 3:00 to 6:00 PM followed by a private cocktail hour across the street at the Quincy Street Distillery. An artist talk will be held Saturday, January 10, 2026 at 2:00 PM. The exhibition will be on view Thursdays, Fridays, and Saturdays 1:00 - 5:00 PM through January 24, 2026.
The Annals of America, 2022, Hardcover books, acrylic varnish, 31.5 x 29.5 x 4 inches
The Riverside Arts Center is proud to present In·Formation, an exhibition of contemporary works by Riverside based artist Brian Dettmer. Known for his intricate, sculptural approach to repurposing printed media, Dettmer’s works continue his exploration of vintage printed documentation and the manipulation of information that lies within.
Dettmer’s method is profoundly meticulous. Through a series of carefully executed cuts, the artist carves into the pages of books, encyclopedias, atlases, and other printed works, revealing and transforming the printed content into sculptural objects. There is a randomness to what is revealed, followed by the thoughtfulness of what should remain. With each incision, Dettmer strips away layers to expose previously hidden texts and images, often editing the material and assembling it with his own vernacular that suggests new information.
Through his Coronet series, the artist has created works that can be consumed as collage but were created quite differently through the excavation of printed material from a selection of 1950’s printed digest magazines. While the Coronet series incorporates both image and text, Dettmer has also created works strictly using image with a thoughtful triptych excavating a series of art texts on American Impressionism. The entanglement of recognizable portions of famous paintings creates a new work silhouetted by the book itself.
These new works are a pleasure to witness in person; the intricacies of these sculptural pieces beg the viewer to observe at close range. Dettmer’s process is unique, and the work asks important questions of the viewer. I am excited to have curated this exhibition and encourage viewers to personally experience these original works.
–Jeremy Black, curator
The New American, 2021, Hardcover book, acrylic varnish, 6.75 x 4.125 x 1.875 inches
Information is the raw material of today. We have an overabundance of text and imagery constantly at our fingertips. In digital media, it is often as fleeting as it is abundant, but when information is put in print we have a stronger sense of its relation to history and its stability for the future. In my work, I question this stability and ask what erasure and loss could look like through the lens of printed matter. Reference books have become almost extinct in less than one generation and we are at a pivotal time in the way we record and distribute facts. Without a stable home to rest in, our agreed truths have been uprooted and are now subject to distortions, erasures, and intentional manipulations.
Through a meticulous process of sculptural excavation, I explore the inner contents of vintage books that have often been relegated to collecting dust or headed for a landfill. The work is both archival and anti-archival. It is a creation through consumption, an exposure through erasure. These sculptures break down historic narratives to offer a compression of ideas through a single surface, embracing us with a desire to reconstruct. This abundance of fragmented history reminds us that we are just one part of the bigger picture, as fleeting as the media we create and as permanent as the ideas we surround ourselves with.
–Brian Dettmer
America I Press On, 2025, Hardcover book, archival varnish, 14.5 x 10.5 x .75 inches
Brian Dettmer is one of the leading contemporary artists working with the book today. His work has been the subject of over 25 solo exhibitions over the past 20 years, at International galleries and institutions including the Geiger Foundation, Cecina, Italy, MiTO Galerie, Barcelona, Spain, the Museum of Contemporary Art of Georgia, GA, the International Museum of Surgical Science, IL and the Virginia Museum of Contemporary Art, VA. Dettmer’s work has been featured in shows at the Museum of Arts and Design, NY, The Renwick Gallery at the Smithsonian American Art Museum, DC, The Chicago Cultural Center, The High Museum, GA, NYU AD Space, Abu Dhabi; and the Perez Art Museum, FL among many others.
Dettmer’s work can be found in the permanent collections of the Smithsonian American Art Museum Renwick Gallery, DC; The Art Institute of Chicago Ryerson and Burnham Libraries, IL; The High Museum, GA, The National Gallery, Oslo, Norway, Yale University Art Gallery, CT among several others. He has lectured on his work at a number of museums and institutions including NYU Abu Dhabi, the Victoria and Albert Museum, London, UK, The New York Public Library, New York, NY, and given a TED talk at the TED youth conference, NYC. Dettmer’s work has been featured in numerous publications and media including The Reader, The New York Times, The Guardian, The Telegraph, Chicago Tribune, Art News, Modern Painters, Wired, The Village Voice, Harper’s, CBS News and NPR.
www.briandettmer.com
Jeremy Black is a painter, business owner, community leader, and resident of Riverside, Illinois. As a dedicated member and previous board director of the Riverside Arts Center, he has played a pivotal role in shaping the cultural life of his community. His paintings have been exhibited locally at the Beverly Arts Center, Giola Gallery and the Rockford Art Museum. Through his layered career—as artist, educator, community advocate, and steward of historic architecture—Jeremy Black embodies the spirit of civic creativity, weaving together personal practice with public engagement.
Detail, America I Press On, 2025, Hardcover book, archival varnish, 14.5 x 10.5 x .75 inches